Astatke's band opened with a hard driving jazz piece that put some distance between the current sound and the Ethiopiques era. Followed by a meditative solo on vibraphone, joined by Christian Pepin on percussion, it evolved into "Yekermo Sew", a composition which drew on Horace Silver's "Song For My Father". Underscoring the fluidity of Astatke's current sound, he moved between several instruments, vibraphone, timbales, congas, and keyboards. While most of the band are New York-based jazz musicians, the sounds of Ethiopia percolated throughout, particularly in the horns which echoed the traditional scales including the instantly recognized ambassel scale which was greeted by cheering from the audience.